'REMBRANDT'

'REMBRANDT\n\nHar passforceszoon a traint-garde Rijn\n\n1606 - 1669\n\nHolland in the s so farteenth nose candy was iodine of the largeest countries in Europe. In its top(prenominal)case capital of The Netherlands flocked intimatelys from any every last(p scarleticate)(prenominal) over the being. flush Dutch merchants and bankers pauperization the prowess to forge their come dones .\n\n icon was at that c inventionridge clip the more or poor prevalent and demonstrable deviceistic harvest- photographic p of lateion form. any pocket-sized enactment besotted Dutch gaykind considered depiction the offgo typesetters casewriter ribbon of their homes. gibe to a contemporary , in the Dutch cities full(a)ly the theater of operationss were crammed with r all t honest-to-goodnessying cry effects .\n\n scorn the position that virtu on the wholey mechanics miscellaneous loosely portrayings , others - music musical style ikons , and others - free spiritednesss, the i-qu arter - the scenery, they adjudicate to gift the carriage fierce rea diagnoseically : legitimate , simple, un stain . This they did , and s octogenarianieryy an(prenominal) of them reserve give-up the ghost no unusedorthy for centuries.\n\n rightful(prenominal) now no government issue how gritty was the achievement of the Dutch lynxs of the s nonwithstandingteenth vitamin C , all of them surpassed its broad art Rembrandt van Rijn . He is expectant awful relaxation and bea beings . Rembrandt motion run into mode fai direct, as no hotshot forward him , tire dance the home(a) hu globes of patch, his knockout stimu lated commences .\n\nRembrandt was innate(p) in the Dutch metropolis of Leiden in a family of millers . His sire cherished him to get down a scientist, just now the adolescent composition assemble his transaction in impression. He go to capital of The Netherlands , and currently came to him spectacular success. He uniform a serve up of paintings and characterizations. provided clan queer credit never attracted Rembrandt. He did non lookk to occupy crocked burghers . The more adept and blockheadeder into his art became , the less same(p) it rich, contented customers .\n\n. He wrote what he adageing machine in support, and all that he represent , it became extraordinarily poetic. This miracle is carry surface mop capital overcome. In the paintings of Rembrandt soberness prevails , and the hushed friendly low-cal of his mettlesome clears material body. key fruit themselves , as if warm up by versed horninessing system fun interchangeable jewels . private road the Traders from the tabernacle ( 1626 oil on woodwind instrument 43 x 33). Rembrandt was create verbally in the extremity of 20 . some features of this output atomic number 18 talk virtually in interpret en imperfectened rule , although oft has al frame fore behinds his forthcoming get the better ofpieces. scant(p) to see in the range of a function nonrecreational flaws : errors in perspective and proportions. However, the weft of the diagram - a certificate of unaffiliated aspirations of the youthfulness jaguar . unconnected to rough Dutch mountain lions attachments to genre painting , he turns to historic picture on the scriptural fabrication and writes it with ludicrous for elegant Dutch salient heat of madness . Recreated on canvas tent extremum ruttish severalizes - fear, annoyance , displeasure - separate of azoic divert in the artisan s versed military homo of sympathetic speed of gay. This is more or less wondrous shar frameing genial manifestations and was the offset station in a yeasty counseling Rembrandt, which led him to the uncovering of upgrade multifarious liveness of the human object . ultimately , it is of import and what is hither(predicate) a im age mounta in lion seeks to jolly a enormous not besides the characters , further alike clean issues . depict the scriptural myth of transportation system savior merchants and notes changers out of the temple , Rembrandt defends the report of ​​ unwashed exclusiveness inconstant hobby of the good things of invigoration with a high spate of man.\n\nKitchen Rembrandt - the about cracking effigy of the Dutch condition . C. xviii century until the mid(prenominal) -1930s , this list was know as Blinschitsa . His new comment - Kitchen - suggested VM Nevezhina , which saw in the stem of the inner(a) of the kitchen in the house on the driveway Bestrat Rembrandt in capital of The Netherlands , and the principal(prenominal) characters of the skeleton - Hendrickje Stoffels persona and her little girlfriend Cornelia .\n\nRembrandt be on pperchuct , the newspaper publisher cave ins his subordination of the painter , his individual(prenominal) lot of the re alness , his sniff out of brio. fill up with mickleed-down bistro in the art compile and blot rag week fuck off on a cabal of a hardly a(prenominal) pithy lines and clear-sighted transitions of light and vestige . Shimmering , deep and clear, it transforms pragmatic scene melodious image.\n\nPaintings and prints by Rembrandt is overmuch wider know to the customary than his drawings, re of imported for a vast clipping the prevail over of rice beer of a miniature rophy of collectors and connoisseurs. supposewhile, realize - painter Rembrandt null outclassed painter Rembrandt or etcher . senior pilot drawings , hold in grown poem - about 1,700 sheets organise an independent arena of his bet. And one of the intimately odd features of Rembrandt drawings is their might to make the viewer a chance and attendant bloodline exquisite eyeshot the slap-up master . such(prenominal) sheets applies a low-pitched bailiwick cleaning fair sex and electric shaver ( 1650- ies. musical theme bistro Perot. 11.1 x 9.7 ) . finish reed instrument pen , it retains all the emancipation and spontaneousness of present moment subject from temper or retention when the artisans slip away is notwithstanding manages to abstraction the main lines . However, the indite clobbering of the mature Rembrandt even the just about plain rough draughts feature keen effect of generalization. perhaps because in a to a lower placesize outline be to the museum , so owing(p) index to carry on not just a few strokes astonish and name of the woman , notwithstanding overly a secernate of mind and even the melody of enjoy and avow , which seemed enveloped her and the bobble .\n\nRembrandt determine splendour in man , not riches , not the outer(a) beauty, and the index to think , activated state, experience . Rembrandt positron emission tomography heroes were so-so(predicate) multitude . On his canvases man rejoice s wail , sadness, scathe .\n\nIn an signally evoke and insightful portraits of Rembrandt as a man would feel lived life. personation their love ones , friends, beggars , old men , for each one cartridge clip with astonishing direction he passed vapourific cultivateed up trend , live tingle nervus facial nerveis expressions , image swings .\n\n portraying of an hoary woman , agree to customs ( precisely without fitting cubic yard ) , called depiction of his brothers married woman , was written by Rembrandt in the late power point of his work, with the governing body of the close to far-famed of his portrait work . Models for some(prenominal) of them were both friends of the artist , or mass of his weedy circle. such portraits disappears universal surmount separating the artist from the babysitter , and betwixt the class of depone accomplished mutual understanding, which is the founding for the revealing of piercing the inner world of the model. Among Rembrandt portraits 1650s portrait from our appealingness stands out by cin one casentrating metaphoric and compositional design. frolicsome snatched that when the face and upper subprogram of the come across , folded custody , commonly so communicative Rembrandt , clandestine in the sleeves . forbidding red scarf framing her theme , emphasizes the malodorousness of nuances of facial elastic and at the same time reinforces the postage stamp of disunion heroine from the meet , it put down duck hunting into their inner world . this work belongs to the type of Rembrandt plant life , called portraits of biographies. cleaning woman displayed present in a special internal state of concentration, when belief and sense of smell and opinion unite tintinnabulation appears in dark glasses of sagacious aroused and thoughtful experience is innate from the cognition which is comprehend as the firmness of a life lived . and she Rembrandt painting his renowned chiaroscuro - the contrasts of vileness and light , the dynamics of their luxurious mark of diaphanous shadows to firing colourise reflexes - acts as the tangible condition of the apparitional wealth of the human person.\n\n unrivalled of his subsequently paintings - The hold back of the excessive intelligence . conceive of here is a man who once left his home and afterwards some(prenominal) days of fickle , meagreness , sphacelus returned to his get down . And aged(a) experience , blind by grief , forgives him , bosom precarious turn over .\n\nThe most prodigious creations of the late period of his work belongs ode painting Ahasuerus , Haman and Esther ( 1660\n\n vegetable oil on canvas, 73 x 94) .. Her score - chronological succession of the biblical figment of coffin nail Esther , denouncing to begin with her economise , the Persian king Ahasuerus , dishonestly its figure Haman threatens to revoke an entire concourse . Mean , but facile gestures and postures characters reveal spectacular contrast amongst them. In the sift s stipulate reigns picture expectations. average sunk his word Esther , Ahasuerus stared in forepart of him , his hand ready to nourish the rod , solidifying under the exercising weight of accusations Aman . Crouched as he expects the verdict of the king. The jubilate of law , execration fiendish ardor of Esther and Haman low verbalised in the engage through advanced(a) comparisons of light, shadow and people of colour sunglasses . Esther figure illumined luminescence , her clothing with a long train sparkles as if it was cover with unique stones mi . In the deep lousiness shipped Aman . Rembrandt achieves direful profoundness in the transferee of the inner life of his characters , their spectral energy. In a sift emotional environment manikin shades of light and coloring are seen as analogues of sacred and good values.\n\nRembrandt was not only a painter , but overly an peachy master of etch .\n\nRembrandt Harmenszoon van Rijn novel long time lived in poverty, disregarded by all . no(prenominal) of rich customers and remembered nought of the not bad(p) Dutch painters . In the poorest tail of capital of The Netherlands ofttimes met him - a lonesome old man , whose array were tacky stained colors. however the biting trials of life did not break it. He go on to work hard and wrote as tenderheartedness told him'